SODOM's Tom Angelripper: The High Cost of Touring and a Well-Earned Break
A legendary metal bassist is taking a step back from the stage. In a revealing interview, Thomas 'Angelripper' Such, the iconic bassist and vocalist of the German thrash metal band SODOM, opened up about his decision to reduce the band's touring commitments, citing personal and financial reasons. But here's where it gets controversial—he also shed light on the challenges of touring in the U.S., sparking a debate about the music industry's hidden costs.
Tom, a father of two adult children, expressed his desire to spend more time with his family and pursue other interests. He shared, "I have two kids, and I want to be there for them. I'm working on re-releases and writing new music, but the constant touring and travel take a toll." This decision to prioritize family and personal well-being is a bold move in an industry that often glorifies relentless touring.
But the story doesn't end there. Tom also lamented the financial burden of playing shows in the U.S., stating, "It's very expensive to tour in America. The visa process is tedious, and the costs add up." He revealed that obtaining working papers for the band and crew can cost $2,000 per person, a significant expense for international artists. This issue raises questions about the fairness of the U.S. visa system for musicians and the hidden costs of touring.
And this is the part most people miss—the comparison to American bands touring Europe. Tom pointed out the disparity, saying, "American bands can just come to Germany with a passport. They don't face the same visa hurdles." This contrast highlights the challenges international artists face when touring in the U.S., leaving many to wonder: Is the U.S. music market becoming less accessible for international talent?
Tom's decision to take a break from extensive touring is not a full retirement, as he still plans to perform occasionally with SODOM. He acknowledged the importance of live performances but emphasized the need for a healthier balance. "I can't just do a few shows a year; it's not enough. But I also can't keep up the relentless touring schedule. I need time for myself and my passions." This sentiment resonates with many musicians who struggle to find the right work-life balance in a demanding industry.
As for his current activities, Tom is enjoying a slower pace, spending time with family, and indulging in his passion for hunting. He shared, "I'm living without pressure, and it's liberating." However, he remains open to performing when the time is right, stating, "I'll play shows when I feel like it, without setting a rigid schedule." This approach allows him to maintain his connection to music while prioritizing his well-being.
SODOM's decision to take a break from heavy touring has been a topic of discussion among fans and the media. Tom addressed the challenges of making such a decision mid-career, saying, "It's never easy to stop, but sometimes you have to listen to your body and mind." He emphasized the importance of self-care, especially as he approaches his mid-60s, a sentiment that many aging musicians can relate to.
The band's success and dedicated fan base are undeniable, as Tom confirmed they still receive numerous booking requests worldwide. However, he reiterated his desire to slow down, stating, "I love my fans, but I also love myself and my family. It's time to focus on other aspects of life." This balance between professional commitments and personal life is a struggle many artists face.
What do you think about Tom's decision to prioritize family and personal interests over relentless touring? Do you agree that the U.S. visa process for musicians needs to be reevaluated? Share your thoughts in the comments, and let's spark a conversation about the challenges and hidden costs of the music industry.
